This is not a review but an interpretation of the complex
movie Eastern Promises. If you haven’t seen the movie, I advise you to first go
see the movie and then read further (there are a lot of spoilers).
Eastern Promises, a movie directed by David Cronenberg,
is one of the most amazing movies I have seen. The movie follows the story of
Anna (Naomi Watts) who after losing a child herself gets rather attached to a
baby girl born to a 14 year old Russians who dies giving birth to her. To
prevent Christine from ending up in the foster care system, she uses the diary
she found in the 14 year old girl’s bag to look for the girls family thus
Christine’s family. On her quest she gets involved with the Russian mafia group
Vory V Zakone and realizes that Christine’s and her own life are now in danger.
On this amazing quest we explore human nature alongside
some amazing performances by Viggo Mortensen who plays Nikolai, Vincent Cassel
who plays Kiril, Armin Mueller Stahl who plays Semyon and of course Naomi
Watts.
On the surface it is a simple movie with bad guys and
good guys, some gruesome yet amazing action scenes, a table turning climax and
a somewhat happy ending, but is it? Rather than the action, Cronenberg focuses
the camera on the reaction and as a result makes the movie more about the
characters than the story.
Kiril is the son of Semyon who is the London head of the Vory
V Zakone. While he is a powerful man, he himself does not possess power. His
main source of protection and support is Nikolai. While he seems like a bad guy
I thought there was much more to him. He is more like a person who was born
into this family and into the Vory V Zakone like he says “these stars are a
birth mark for me”, but not really a part of them. He is loyal to his father
and loves him but never really lived up to his expectations despite his
numerous efforts. We see a more human side of him when he fights his father as
he realizes that Nikolai’s life has been put in risk on his account and all
that he feels when he is about to kill Christine.
Also, through his character the theme of homosexuality
has been explored, mainly how homosexuality and masculinity are not seen to go
together by the society. There are a bumber of instance that point towards the
homosexuality of Kiril’s character. First, he gets a member of the Vory V
Zakone killed because he is spreading ‘lies’ about him being queer. You don’t
react as rashly to a lie as you do to the truth. Second, when he asks Nikolai
to have sex as he watches. Like I said, Cronenberg revels more in the reaction
and similarly throughout this scene he cuts between Nikolai and Kiril so we can
see Kiril’s reaction which speaks volumes about his feelings. Third, when
Nikolai tell Seymon about the reason why Kiril had a member of the Vory V
Zakone killed, Seymon seems to already know of this and blames it on London
calling it a place crawling with queers and blacks. Lastly, the various
intimate scenes between Kiril and Nikolai also show vividly the extent of their
relationship. Now that we know that Kiril is actually gay, it is the fact that
he tries to hide it so hard to keep living up to his father’s expectations and
that of being a Vor is what points towards the dominant belief that gays are
not masculine. Throughout the movie we see him struggle between his emotions
and his need to be violent and tough. He is easily convinced by anything and
everything that Nikolai says, which is evident in the last scene when he
convinces Kiril to let the baby and his father for they are partners now, but
he keeps bossing him around to keep his feelings hidden.
Nikolai is a driver but he is actually trying to become a
part of the Vory V Zakone. From the starting of the movie we see him in a
negative light when he passes a disrespectful comment about Anna and his
violent act of cutting a dead guy’s fingers. A very eerie and untrustworthy
feeling surrounds him right up to the point when he tells Anna to go back to
the good people and stay away from people like him. After that we see a more
emotional side of him. And as we approach the climax of the Movie we realize
that he is actually one of the good guys bound to do things he would rather not
had he not been in this situation. Towards the end, as he helps Anna save
Christine we rather find ourselves loving him and feeling sorry for him.
While we are talking about Nikolai, it would be a shame
to not talk about his knife fight with Soyka’s brothers. Viggo Mortensen plays
out a naked fighting scene in Eastern Promises which carries on for a few
minutes with two men with knives. This fight scene is legendary. The violence
of it all coupled with Mortensen’s nakedness makes it so rich and realistic
that it leaves a scar on us all. And let us not forget the fact that despite
not being Russian, he and Vincent Cassel gave the most believable performances
as Russians. For a minute you start to think that these people are the Russian mafia because of the perfect accent and perfect pace of their dialogues,
cutting between English and Russian as if it was their daily routine.
Through these two characters we explore one more theme of
the movie that is, bad guys aren’t always bad. Neither are strong always strong
or the weak always weak. Had it not been for Anna’s courage and bravery maybe
this little innocent girl would have died. Despite being ‘normal’ and scared a
lot of times, she keeps going.
While we dig deep into the interwoven messages of this
emotionally rich movie, there is one issue that has been addressed directly, that
of human trafficking. Cronenberg brutally shows us the harsh reality of this
crime and addresses one of the key causes of it- when people leave their homes
and countries in search of a better life but are tricked by unknown men. This
is even evident from the name of the movie, “Eastern Promises” which refers to
the promises of a better life made to people in the east to smuggle them to
advanced countries like UK where they are brutally exploited. It also explores
the emotional impact that it has on people, how people stop living and how
people think of killing themselves just to escape...
Like I said, this is an emotionally rich movie and thus
explores a number of other emotions. Some of them I felt but still can’t put a
finger on. One of them was truth. Not saying the truth but of being your own
true self. This theme was also explored in another one of David Cronenberg’s movies,
a history of violence. Everybody puts up walls that hide their true selves. But
what happens when these walls start to crumble down? Kiril has put up a wall
that keeps his homosexual side somewhat hidden and Nikolai has put up a wall
that keeps everything about him hidden. We see their true selves time and again
but for short periods of time. Kiril’s true self is revealed through his
feelings for Nikolai. Nikolai’s true self is seen when instead of killing
Stepan he sends him away to live in a 5 star hotel and in the last scene when
he kisses Anna. In that scene he is just like any other ordinary man, free of
his duties and burden.
As is visible, I’m completely entranced by this movie and
all its aspects be it the direction, the characters, the story, the messages it
gives or its setting which while based in London shows nothing of the London we
are familiar with but rather completely transports us to this new and terrible
world, the other side of London and every society across the world. Thus it is generic not only on an emotional
level but also on a social level.
As for my obsession for movies, it is movies like these
that have lead to it. It is amazing how much a movie which is only 100 minutes
long can speak and show. How drastic an effect visuals combined with words and
sounds can have. And that is why I believe that movies, movies like these, have
the power to change the world. We should give more credit to these things that
we so often dismiss as entertainment. It is these things that can teach us so
much and make us a better person and this world a better place.